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. . . Moloko and Ultraviolence is alternately sweeping and wound tight, unabashedly dramatic and consciously remote, sexy as a Twilight vampire and coolly reserved as a diamond smuggler. Alice Sweet Alice references musical antecedents, nodding to touchstones if you will; however, they refuse to dress up in the worn black leather, velvet lace, or loud plaid of yesteryear’s goths, punks, and New Wave outsiders. They’re looking through the electropostpunkadelic kaleidoscope backwards and forwards, twisting and tweaking enough to craft a familiar sound with some idiosyncratic flourishes. |
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